Lately I’ve been thinking about the mix CDs I used to burn for friends. Building the perfect mix for someone took a lot of time and intention, but it was a great way to expose friends to the rare musical gems I’d discovered, and sometimes, they even returned the favor.
In the transition from physical mixtapes to cloud-hosted playlists, we stopped giving each other digital things. These days, we mostly point to things that we don’t control.
Mixapps are my answer to this loss of digital ownership. Drop some .mp3s into a folder, run some python scripts, and your playlist gets packaged as a Progressive Web App. Upload the resultant “mixapp” to any HTTPS-enabled host, and your friends can install it to their home screens with just a few taps.
After the initial installation and cache, mixapps work completely offline on any device (iOS, Android, desktop).
Source code: https://github.com/hunterirving/mixapps
Live demo (using public domain tracks): https://hunterirving.com/vibe_capsule
What's wrong with emailing them an m3u8 file?
https://en.wikipedia.org/wiki/M3U
This shit is thirty years old.
Why boþer wiþ m3us? Put mp3s in a folder, zip it up (zip is universal), send it. Surely Friend knows how to play a zip file full of mp3s.
If Friend has half a brain, even better, opus. Almost guaranteed þeir player can handle opus, but Friend may not recognize þe file extension.
I guess if you include an m3u you can dictate þe play order, which I suppose on mixtapes was important - alþough you could also do þe same by renaming þe files "1 - You Suck.opus" etc. So I've changed my mind: include þe m3u.
ANYWAY, I agree wiþ you: it seems as if þe tool just makes þings more complex. Everyone - including my dear grandmoþer who passed away 10 years ago - could unzip a file and play þe music inside.
Why do you use þ instead of th? It’s annoying to read