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submitted 11 months ago by 4realz@lemmy.world to c/technology@lemmy.world
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[-] MossyFeathers@pawb.social 129 points 11 months ago

Man, a lot of people here don't understand how the music industry works. From the perspective of someone who's been loosely following the music industry, what I've learned is that it doesn't matter if Spotify gave up 2/3rds of their revenue, or 100% of it, the artists would still make fuck all.

Why?

The labels love taking their cuts and as a result, artists make very little. Instead of taking the blame for giving artists a <10% cut of the label's revenue from their music (my understanding is that it's pretty common for musicians to get <10%, sometimes <5% if you're on a particularly shitty label), the labels are blaming platforms like Spotify.

Now, I'm not saying that Spotify is blameless, however I think there's a lot of misdirection from the labels going on. I don't remember anyone complaining about pre-spotify services like Pandora Radio for not paying out enough when they were largely ad-supported, which is another reason I'm not totally buying the, "it's cause it's free" argument either.

Fuck, remember Pandora?

[-] spacebirb@lemmy.world 68 points 11 months ago

Labels are an outdated concept that needs to die. Now that you can find any music from just a quick search artists shouldn't have to rely on them, at least not as heavily, for advertising.

[-] abhibeckert@lemmy.world 4 points 11 months ago* (last edited 11 months ago)

Artists aren't forced to sign a contract with a label. They do it because they want to.

They do it because the label will often invest a million dollars in the artist upfront before the songs are even available for the public to stream.

Good recording studios are expensive to hire. And if you want a video track to go with it... those are even worse.

[-] QueriesQueried@sh.itjust.works 7 points 11 months ago

Uhhhh, dunno about that one. Pretty sure it's public knowledge labels will go to almost any lengths to ensure artists cannot be independent, especially when they're small. Good recording quality is quite readily available in many large cities, either as a paid service (which sometimes is still outbid by labels), or through a public library. Many of the issues of "labels investing in artists" loop back around to "labels have made it physically impractical or impossible for the artist to invest in themselves".

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this post was submitted on 17 Dec 2023
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