George Lucas has legitimately been about 10-20 years ahead of everyone else in the industry his entire career and I am not exaggerating in the slightest. In fact that's been more then a bit of a double edged sword for him given he's always tried to roll things out before it's actually ready to fly. It's not just in vfx or film tech but also in shit like the rise of streaming.

Charlie Rose looks so annoyed listening to George even speak the name "Union of the Soviet Socialist Republics" lmao

he has unlimited funds to bank roll whatever artistic projects he wants, but all he could manage was red tails lol

they can never talk about why this is

Two quotes from Fredrick Jameson's Postmodernism:

What has happened is that aesthetic production today has become integrated into commodity production generally: the frantic economic urgency of producing fresh waves of ever more novel-seeming goods (from clothing to aeroplanes), at ever greater rates of turnover, now assigns an increasingly essential structural function and position to aesthetic innovation and experimentation.

What has not been taken into account by this view, however, is the social position of the older modernism, or better still, its passionate repudiation by an older Victorian and post-Victorian Bourgeoisie for whom its forms and ethos are received as being variously ugly, dissonant, obscure, scandalous, immoral, subversive, and generally “antisocial.” It will be argued here, however, that a mutation in the sphere of culture has rendered such attitudes archaic. Not only are Picasso and Joyce no longer ugly, they now strike us, on the whole, as rather “realistic,” and this is the result of a Canonization and Academic Institutionalization of the modern movement generally that can be to the late 1950s. This is surety one of the most plausible explanations for the emergence of postmodernism itself, since the younger generation of the 1960s will now confront the formerly oppositional modern movement as a set of dead classics, which “weigh like a nightmare on the brains of the living,” as Marx once said in a different context.

As for the postmodern revolt against all that, however, it must equally be stressed that its own offensive features – from obscurity and sexually explicit material to psychological squalor and overt expressions of social and political defiance, which transcend anything that might have been imagined at the most extreme moments of high modernism – no longer scandalize anyone and are not only received with the greatest complacency but have themselves become institutionalized and are at one with the official or public culture of Western Civilization.

Wrong, culture is dying and being killed by market forces more and more. Capeshit is objectively worse than 90s schlock action and you will never change my mind