98
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
this post was submitted on 19 Dec 2023
98 points (93.0% liked)
Asklemmy
43895 readers
933 users here now
A loosely moderated place to ask open-ended questions
Search asklemmy ๐
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- !lemmy411@lemmy.ca: a community for finding communities
~Icon~ ~by~ ~@Double_A@discuss.tchncs.de~
founded 5 years ago
MODERATORS
Wow I don't think I've seen that before? Every stage setup for me has been more or less the same. You plug your 1/4" into a DI box which then connects to the mixing board over a long XLR cable. And the mics run directly to the board over XLR.
The board itself may be digital. That seems to be getting more common. But the inputs are all analog afaik? I've seen more exotic setups at recording studios but not on stage. Then again, we are not exactly a big act! lol
I guess it's a function of the kind of gigs I tend to work- The stage tends to not exist before we walk in. And if you've got 32+ stage inputs, it's certainly nicer to run a couple of fibre lines than a chonky stage snake with 32+ XLR lines.
The only difference between the digital boards you've seen is the digital conversion circuitry is not in the same box as the mixing circuitry.
Good point. I've seen some ridiculous snakes in my time! And an optical connection would presumably be less noisy even if it were analog.