Basically every single detail in this piece of how management was behaving is exactly what Kurvitz, Hindpere and Rostov claimed in the "documentary", particularly what Helen Hindpere said happened to her.

Now I'm pretty sure the only project left at ZA/UM is new IP, so what the fuck good did all that pleading and arguing that "Elysium never belonged to Kurvitz alone" and "Let us prove ourselves first before you judge". There's no reward from the company for taking the side of moneymen, like did they honestly expect that they would get to still make art if they were on the "right team" and said the right stuff?