301

Yet more examples of how copyright destroys culture rather than driving it (walledculture.org)

submitted 4 months ago by Flatworm7591@lemmy.dbzer0.com to c/piracy@lemmy.dbzer0.com

54 comments fedilink hide all child comments

One of the clearest demonstrations of how copyright is actively harmful is the lawsuit that four of the biggest publishers brought against the Internet Archive. As a result of the judge’s decision in favour of the publishers – currently being appealed – more than 500,000 books have been taken out of lending by the Internet Archive, including more than 1,300 banned and “challenged” books. In an open letter to the publishers in the lawsuit, the Internet Archive lists three core reasons why removing half a million ebooks is “having a devastating impact in the US and around the world, with far-reaching implications”.

Cross-posted from: https://lemmy.world/post/17259314

you are viewing a single comment's thread
view the rest of the comments

[-] moody@lemmings.world 9 points 4 months ago

The current copyright system is absurd, but protecting an artist's work in the short term is what copyright was meant for originally. 70 years post death is way beyond ridiculous, but something like 5 years from conception makes sense. That way a creator gets a short period to profit off their work while it's protected, and then it would enter public domain and anyone could do as they wish with it.

Unfortunately it would still allow a situation where someone presents a screenplay to a studio, and gets turned down, and then 5 years later the studio makes a movie from that screenplay and makes a billion dollars without the creator getting anything from it. That's what copyright is meant to prevent, but it has definitely gotten twisted and corrupted over the years, mostly thanks to Disney.

[-] Rivalarrival@lemmy.today 7 points 4 months ago* (last edited 4 months ago)

Exactly. I don't have a problem with artists profiting from their work. I don't have a problem with their temporary exclusivity. The problem I have is when they never intend for that work to belong to the people; when they think they can maintain control over an idea long after it has become "culture".

For the problem you mention, I would suggest that any studio who has been offered the work during the five year period owes royalties for a 5-year period after the studio publishes the work, even if it has since entered the public domain. Something along those lines would likely become a standard clause between the screenwriter's guild and the studios, and doesn't necessarily need to be enacted in law.

I wouldn't be opposed to a longer period for some major works. Start with a standard, 5-year period from the time of original publication, then allow an extended copyright registration with an exponentially increasing annual fee. A few additional years would likely be affordable. The fifth, possibly. The sixth, only for the most profitable franchises, and the seventh being a large fraction of the national GDP. If James Cameron wants to pay for the entire military establishment through the proceeds of Avatar III, he can get one more year of protection.