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submitted 5 days ago* (last edited 5 days ago) by Gosplan14_the_Third@hexbear.net to c/anime@hexbear.net

Manga

Nothing for now. Finding manga worth to read is difficult, more so than Anime. The tropes are even more tired, and the classics more obscure. I still need to finish GTO and Inari Konkon, koi Iroha.

Anime

I'm 99 % done with the original Space Battleship Yamato, and my opinion from the last month stands. The remake is a net improvement, by being a faithful adaptation and only adding neat stuff.

I have reached Season 2 of You're Under Arrest!, after watching the OVA specials (like 90 % horny bullshit), the beach episode OVA (surprisingly good by virtue of them sticking to the title premise. Directing traffic at the beach. It was an unaired tv episode, rather than made-for-video) and the movie. It's still fun.

Starship Operators is an early 2000s sci-fi show, basically a mix of Dai-Guard, Nadesico and Space Battleship Yamato. It's pretty neat, but nothing special.

Super GALS! shows off gyaru culture as it was in its golden age (and delinquent adjacent), and before it became a design trope and character archetype for modern mediocre romcoms. It's fun, and stylish.

I'm still continuing going through Sailor Moon S, Cardcaptor Sakura and Dragon Ball Z. They're still very good, I don't have much else to say though. Mr. Satan sure is a character.

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It's cold, it's dark, work is every day. And yet there is time for anime.

Manga

Beyond continuing GTO at a glacial pace, as well as keeping up with Shibuya Near Family and Wasteful Days of High School Girls + Gekkan-Shoujo Nozaki Kun whenever updates release, I have picked up Inari, Konkon, Koi Iroha. It's short, it's fun. I'm pretty early into the story to comment more.

Anime

I have finished Monogatari: Second Season, and the Kaiki arc is just fantastic. It's another high in a series that I have both underestimated and feel that it does live to its questionable reputation. Onto the next series, which is... uh... Hanamonogatari?

One Outs is a gambling sports anime that has been recommended to me for a while, and it is decent so far. The MC is pretty un-Kaiji like, and more your average extremely confident gambling genius.

I've watched Vivy: Fluorite Eye's Song and I enjoyed it quite a bit. It's somewhat style over substance, but it is refreshing in a sea of formulatic slop. I remember the ending having a bit of controversy surrounding it. I thought it was tragic. The post-credit scene did cheapen that though.

Cardcaptor Sakura keeps being fun and cozy.

I have also resumed Sailor Moon, from Season S. It's still good old Sailor Moon.

Millennium Actress was a pretty good movie, aided by the soundtrack of the excellent Susumu Hirasawa. I felt like I missed half of the appeal of the movie by not being that familiar with what was most likely 1930s to early 1970s Japanese cinema.

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submitted 9 months ago* (last edited 9 months ago) by Gosplan14_the_Third@hexbear.net to c/anime@hexbear.net

Another month gone, another month older, another month at work.

𝐌𝐚𝐧𝐠𝐚

I've been reading Great Teacher Onizuka and so far it's almost exactly 1:1 like the anime... which means, the horribly aged ableism is about to hit, beyond all the other problematic stuff. Beyond that, it remains as fun as I remember. It's neat. B+

π€π§π’π¦πž

Gundam SEED has managed to make it across its entire 50 episode run without making me too annoyed or in amused disbelief over the nonsense happening on the screen. Really, it's... alright. I wish Kira and Lacus were less wooden characters. Athrun and Cagalli were significantly more interesting and 500x more likeable than Ange and Tusk in the trainwreck of a show named Cross Ange, who used them as a ~~self-plagiarism~~ source of inspiration B-

SEED Destiny too... has been pretty alright so far. However, I do like Shinn's character. That man has definitely every reason to be as angry as he is... but I am fairly confident the show won't do too much with that. Speaking of Cagalli, wow, that is a massive downgrade in character writing compared to S1. Supposedly, there's IRL drama that caused that! C+

CITY is Nichijou 2, not much else to say about it. It doesn't quite live up to the predecessor, and with the shorter show run it probably never will, but it is undeniably still a good show. A

Dragon Ball Z - almost done with the Freeza fight. That was... pretty long. But consistently good, even though some previously impactful stuff, like people dying, is not much of a big deal now. A

Ranma 1/2 is also consistently entertaining. Not much else to say about it at this point. A

π–πžπ¬π­πžπ«π§ π€π§π’π¦πšπ­π’π¨π§

I knew Gravity Falls was always a highly regarded show... but I did not expect it to be this good. There's an iconic cast of characters, compelling storytelling... it's just very very competent at what it sets out to do. A+

π‘πžπ₯𝐚𝐭𝐞𝐝 π•π’ππžπ¨ π†πšπ¦πžπ¬

A challenging Super Robot Wars game in the year of our Lord 2025? One that has, so far, good writing? One that is available in a language I speak? Y is shockingly good. I've been on a binge this weekend. A+

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submitted 2 years ago* (last edited 2 years ago) by Cromalin@hexbear.net to c/anime@hexbear.net

seeing this made me just break down crying. if you'd asked me yesterday what i thought of akira toriyama i would have probably said i respected him immensely, but his work didn't hold a special place in my heart. but realizing that he's gone is just devastating. such an iconic, important artist. the world is worse without him

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Rival/Lovers. (hexbear.net)
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Benji takes a look at Irene Sanders from the 1993 anime Desert Rose. How did the 90s anime artstyle create such a memorable character design that's talked about even today? Let's find out!

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submitted 2 days ago* (last edited 2 days ago) by Awoo@hexbear.net to c/anime@hexbear.net
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borgar (hexbear.net)
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Team of Cowards. (hexbear.net)

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submitted 5 days ago* (last edited 5 days ago) by Awoo@hexbear.net to c/anime@hexbear.net

I decided to watch episode 1 of this on a whim the other day. Here is what I think of it.

The Warrior Princess and the Barbaric King bears an ideology that is so nakedly reactionary that it feels like a sermon written by tradcaths. Beneath a bunch of typically generic fantasy slop of swords, monsters, and poorly written political intrigue lies a relentless message: being an independent woman is wrong, ambitious women will become unhappy, and a strong woman will ultimately fail and be conquered for her own good. That sounded like AI but I promise I'm just a shit writer.

The episode begins with the strong warrior princess in chains and captivity before a cliche flashback to how she got here.

Immediately losing a battle with her entire army vs "barbarians" (the neighbouring territory). Upon losing the leader determines she is hot and therefore he will take her as his wife.

She is treated nicely by this "barbarian" in captivity for the rest of the episode, but is ultimately set to become his wife. We're also treated to several flashbacks of her time at a dinner party at the kingdom where dozens of people both men and women alike told her she should just know her place as a woman and shouldn't risk her life fighting.

The episode is clearly a setup to her falling for the barbarian and learning "her place" over time. That essentially everyone around her was correct all along but they were mean about it.

1/10, strongest right wing ideology I've ever seen in an episode 1, the clear message being "girl boss bad" and "must learn her place at hands of a real man". Beats Shield Hero for me.

Hate this shit. I will not watch anything else to determine where it goes but I'm basically certain that she will slowly fall for this big manly barbarian and learn her place as a woman.

EDIT: Oh yeah this shit is on Crunchyroll too so millions of kids are probably being filled with this shit.

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One Piece chapter 1184 discussion (mangaplus.shueisha.co.jp)

Brook man..... sanji-pain

What did you think of this week's chapter?

One Piece will be on break next week luffy-exhausted

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ONI-GIRI | Dungeon Soup (www.youtube.com)
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submitted 1 week ago* (last edited 1 week ago) by Erika3sis@hexbear.net to c/anime@hexbear.net

The Klutzy Class Monitor and the Girl with the Short Skirt episode 1.

I was coincidentally teaching myself basic facts about the country of Togo Wednesday night, and then I saw the first episode of this anime today, and was pleasantly surprised that one of the main characters has Tōgo as a given name. His surname is Sakuradaimon.

To explain the post title: Sylvanus Olympio was the leader of Togo's independence movement. Togo became an independent country in 1960, and Sylvanus Olympio was assassinated in 1963 just as he was trying to get Togo off the CFA franc. This led to many decades of rule of Togo by the fascist comprador GnassingbΓ© EyadΓ©ma.

At the same time, according to NATOpedia, Sylvanus Olympio apparently had a bit of a falling out with Kwame Nkrumah after both Ghana and Togo had achieved independence, over the issue of the Ewe people's lands being split between the two new countries. I'm not going to trust NATOpedia to educate me about that issue but it seemed worth mentioning.

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Inuyasha ran for a hundred sixty-seven episodes before stopping in September 2004 with no ending, no announcement, and every major storyline left unresolved. Naraku was still alive, the Shikon Jewel was still shattered, and Inuyasha and Kagome's relationship was left hanging. But while the anime stopped, the franchise never did. The production committee behind Inuyasha, including Sunrise, Shogakukan, and Yomiuri TV, spent the next five years extracting revenue from the IP through four theatrical movies, over two million DVD sales in North America, a decade of Adult Swim reruns, video games, and merchandise, all without producing a single new episode to finish the story Rumiko Takahashi was still writing in the manga. When "Inuyasha: The Final Act" was finally announced in 2009, it crammed twenty-one volumes of manga into just twenty-six episodes, a five-to-six-fold acceleration in pacing compared to the original series, and aired at 2:20 AM on a Sunday instead of the Monday 7 PM primetime slot the original held. Sesshomaru's arc, Kohaku's redemption, Sango and Miroku's payoff, and Kagome's three-year separation from the feudal era were all compressed into fragments. Then in 2020, the same committee found the budget for forty-eight episodes of "Yashahime: Princess Half-Demon," a sequel most fans didn't ask for, while the actual ending only got twenty-six. This video breaks down the business decisions, the production committee model, and the Bandai Namco corporate structure that guaranteed Inuyasha would never get the ending it deserved.

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Anime & Donghua

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