Cool, thanks :-)
You may be right, the more of Voyager I watch the more flexible each character appears in order to fit around what the story requires. Apart from Tom Paris repeatedly being an idiot, that's a constant.
We can agree to disagree and enjoy it on our own terms I guess. If I have been dismissive of your argument I would like to apologise, that was not my intention.
OK, I'll go all-in on this:
2000 AD Comics' Nexus, The computer game.
Made for the Commodore C128 computer (which oddly ran Microsoft Basic), it was a simple single-screen platform shooter with the twist that you could pile up the bodies of your enemies and use them as platforms.
Depends on how well the first season goes, the producers are a little cautious in case the bears aren't really as viscous as they said on their CVs.
I'm not a fan of queens, however you and your opponent should go on a horse riding experience day together to remind you that the horsey is clearly the superior piece to choose.
Like Mortal Engines, only instead of city cannibalisation there's giant robot kissing.
I'm just passing by, but I have to say that's some really good moss.
Yeah, my local Caprabo (a modestly priced supermarket) used to have a whole aisle dedicated to olives and olive related stuff ... now the locals are getting priced out of it and the aisle is just a little section
For me, it's how the key feels in the head. It doesn't go in far enough that you can let the key just sit there on it's own like with a hex head.
I enjoyed the first two seasons of Picard more than the third. It takes all sorts, I guess.
My intention was to convey that her inevitable betrayal would constitute a metaphorical "fucking".
He gets found out when, after an emergency where he uses a forklift to save a puppy, instead of embracing the puppy in a manly manner he tries to sneak away to keep his identity secret