Deadline is a film industry trade paper, so success metrics like Box Office are of interest to it, especially insofar as those metrics guide the trajectory of industry trends.
Best theater experience I've had by far was seeing The Descent on release. In that crucial mid-movie moment, the whole theater freaked out, and after things settled down I saw someone climbing back over the seat they'd apparently jumped over when it happened.
In searching for the video, (already provided in this thread) I amazingly found that this appears to be the same school where a selection of boys from the class of 2018 posed for a gleeful photo of them throwing up the nazi salute.
Decided to check in on things. She got a chuckle out of me from some of the quotes attributed.
Necheles asked her about the number of porn films she's written and directed, and said, “You have a lot of experience making phony stories about sex.”
“Wow. That’s not how I would put it," Daniels replied. "The sex in the films is very much real, just like what happened to me in that room” with Trump. She added, "If that story was untrue, I would’ve written it to be a lot better.”
Asked if she'd promised people she'd be instrumental in putting Trump in jail, Daniels said, "No." Necheles then asked her about a social media post where someone had called her a human toilet, and Daniels responded, "Exactly! Making me the best person to flush the orange turd down." Necheles asked if that meant she'd be instrumental in getting rid of him. Daniels said it was "hyperbole." "I'm also not a toilet," she said.
@MrVilliam@lemmy.world called it saying it would get cringey and gross. The "phony stories about sex" line from Necheles is awful stuff.
I don't know if Prey is my favorite game of all time, but it's on the short list. I can, however, say that it is the game that most fills me with awe. Talos 1 is an extraordinary playspace filled with incredible detail, choice, style, and diversity. The narrative, possibly the weakest element of the game, still packs in a lot of cool ideas and genuine surprises.
Prey also contains by far my favorite opening "level" of all time. Without spoiling, the immediate tonal shift, the creepy mystery, the complete recontextualization of your first 10 or 15 minutes, it's an absolute spectacle.
In a perfect world, all these devs get absorbed by WolfEye Studios or something and they get a bunch of funding to make another massive masterpiece.
Via Kotaku:
Bloomberg previously reported that the vampire shooter’s [Arkane's Redfall] troubled development grew out of a push by top Bethesda leadership to make a live-service game, a decision that ultimately led to sky-high attrition and multiple delays.
All reward, no risk for the executives demanding that their best-in-class immersive sim developer create an empty live service shooter. Stupid decision led to predictable outcome and the workers feel the ax for it.
There is some absolutely hilarious material in here, were it instead fictional.
First-term state Rep. Roger Wilder, R-Denham Springs, who sponsored the child labor measure and owns Smoothie King franchises across the Deep South, said he filed the bill in part because children want to work without having to take lunch breaks.
"I keep trying to give them lunch breaks but they insist on doing what's in the best interest my pocket lining!"
And my favorite, also from Roger Wilder:
“The wording is ‘We’re here to harm children.’ Give me a break," he said. "These are young adults.”
Could you imagine the delivery of this line, with just the right amount of pause after "give me a break" and the right expression to the camera if this were said on something like Parks and Rec?
I'm not convinced that cameras and Nextdoor are having a material impact on the vague idea of "trust between neighbors," but I admit it's hard to gauge because I only have my own experience, which exists on a potentially wide spectrum.
I'm barely on Nextdoor and was surprised to hear there's apparently a pretty common use of it for public shaming. The potential for petty community conflict does seem heightened by some of these technologies.
Home entertainment is such a closed system that all these companies are just beta testing shitty ideas for each other. Eventually they all do the same thing as long as any backlash was neither too destructive to revenue nor sustained. See endless streaming services price hikes, account sharing lockdowns, or the fact that you just can't buy dumb TVs anymore.
Did they publish the poll itself? Curious how they defined "iconic." These results are baffling. I'm most surprised by Shadowheart, who is a great character but...functions as part of an ensemble and is arguably not even the most "iconic" character within her own game. And BG3 itself, despite being one of the most culturally impactful video games in recent memory, still is just too young to qualify for iconic status.
Some of us buy printers because we have abuse and humiliation fetishes. My OfficeJet is the kinkiest product I own.
Same, though interested is an understatement. Prey is one of the greatest games I've ever played. I enjoyed Weird West, but it left me feeling more like a POC of what the studio wants to do than anything up to the actual standards of Arkane's best.
If WolfEye fills the void of Arkane's deplorable closure, they'll get all the support I can give.