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Death Wish (2018 1080p) - Bruce Willis, REMOVED
(www.youtube.com)
A key question in the field is whether you guys are getting citations. [1]
[1] Zkuld@lemmy.world, science_memes@mander.xyz, Jan 27th 2025
- Talk to a trusted friend or relative.
- Ask them to help you set small goals like: 1) identify a couple mental health providers or life coaches or similar, 2) give some of them an initial call, 3) pick 1-2 to follow up with.
- Ask your trusted friend or relative to help you stay on track to accomplish those goals.
iirc the dream wasn't to secure Gettysburg, it was to destroy the Army of the Potomac.
It wasn't as easy a call as it sounds now that we know the disposition of both armies. Longstreet's assessment was more accurate about how much the rate of fire had increased the lethality of the kill zone over the past decades, and Lee should have listened to him. I suspect Lee was mostly guided by his sense of how it would impact the morale of each army - because that was crucial to which army would break first. He might also have overestimated the effectiveness of his artillery. Turns out he was wrong.
ikr "beyond the scope of the current effort" also works.
The quote doesn't say anything about forever tho. The kid is just figuring out that death happens to people and wolves, but not to words and books. The parent is the one pretending that the kid's making some profound statement about the permanence of ideas.
The real question is: are they going to charge you for a Cobb salad, or for a Great Wall of China?
That image never gets old. But to contextualize it, check out the illustrated article "Pants Scientists and Bona Fide Cyber Ninjas: Tracing the Poetics of Cyberpunk Menswear":
…much of cyberpunk-influenced menswear justifies itself with function and utility as if such features were necessary for men to participate in fashion movements. I detect a change from the lone-wolf outlaws of original cyberpunk to militarized super-hero enforcers of the current mainstream, but also present a counterpoint to both in the guise of the cool, gray cyberpunk man: a “pants science” enthusiast who combines the fantasies of individualism and a low-key presentation to the hidden, almost science-fictional, functionalities of his clothing.
This is on !lemmyshitpost@lemmy.world so I'm not sure how to interpret it... but guaranteed I'm gonna be on Lemmy this Christmas Day, you're welcome to join me, I'm sure there'll be others.
From watching hours of "Law & Order", I know the real answer involves DNA, cell phone records, an illegal search, and questioning without an attorney present.
When you're trying to merge but they won't let you in: "Hey buddy! Give peas a chance!"
republicans have nobody to blame
They will always find someone to blame.
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Variously translated as "The Angel of Hearth and Home" or "The Fireside Angel", subtitled: "The Triumph of Surrealism."
Ernst painted The Triumph of Surrealism shortly after the defeat of the Spanish Republicans in the Spanish Civil War. In this conflict, Spanish fascist leaders were supported by Germany and Italy in their victory. Ernst's goal was to depict the chaos that he saw spreading over Europe and the ruin that fascism brings to countries.
...
retitled by Ernst in 1938 as The Triumph of Surrealism, "a despairing reference to the fact that the surrealists with their Communist ideas had been unable to do anything to resist fascism."
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See higher-res versions on Wikipedia.
No. 4.– The picture represents the Vicious State, or State of Destruction. Ages may have passed since the scene of glory – though the decline of nations is generally more rapid than their rise. Luxury has weakened and debased. A savage enemy has entered the city. A fierce tempest is raging. Walls and colonnades have been thrown down. Temples and palaces are burning. An arch of the bridge, over which the triumphal procession was passing in the former scene, has been battered down, and the broken pillars, and ruins of war engines, and the temporary bridge that has been thrown over, indicate that this has been the scene of fierce contention. Now there is a mingled multitude battling on the narrow bridge, whose insecurity makes the conflict doubly fearful. Horses and men are precipitated into the foaming waters beneath; war galleys are contending: one vessel is in flames, and another is sinking beneath the prow of a superior foe. In the more distant part of the harbor, the contending vessels are dashed by the furious waves, and some are burning. Along the battlements, among the ruined Caryatides, the contention is fierce; and the combatants fight amid the smoke and flame of prostrate edifices. In the fore-ground are several dead and dying; some bodies have fallen in the basin of a fountain, tinging the waters with their blood. A female is seen sitting in mute despair over the dead body of her son, and a young woman is escaping from the ruffian grasp of a soldier, by leaping over the battlement; another soldier drags a woman by the hair down the steps that form part of the pedestal of a mutilated colossal statue, whose shattered head lies on the pavement below. A barbarous and destroying enemy conquers and sacks the city. Description of this picture is perhaps needless; carnage and destruction are its elements.
https://en.wikipedia.org/wiki/The_Course_of_Empire_(paintings)
Sergio
joined 5 months ago