The Artemis NASA
mission has a mascot named Rise — a stuffy that acts as a zero-G indicator.
At a certain angle, it’s face looks a lot like a favourite bone-drinking horror called Moopsy.
cross-posted from: https://startrek.website/post/37655947
Mastdon post on creator’s account.
Not available yet at gricklemart.com but, his earlier Godzilla ones are there.
cross-posted from: https://startrek.website/post/35903845
!monsterverse@startrek.website has been live for over a month. Please be welcome to join the discussion.
One of the oldest screen franchises now has a home on Lemmy!
Are you a Monsterverse fan? Or, perhaps just Monsterverse curious.
Whatever your degree of love for or interest in kaiju and all things Monsterverse, this community is intended to be a welcoming place in the fediverse for you.
Join us to discuss the new television franchise on AppleTV with Monarch: Legacy of Monsters and the spinoff Coldwar spy thriller prequel going into production this spring.
Or, share your thoughts about the more than 70 years of the movie franchise that started with Godzilla (1954).
It’s a silver lining to see Shatner using his platform for the greater good.
”…the show failed to find its significant audience.”
Put a show on a streamer that is targeting a completely different audience, and let the entitled vocal fans run wild with unchecked brigading, and then be surprised by low “crowdsourced” ratings.
Sigh.
This is depressing, if accurate, in that it may also be a signal that the new owner is looking for a new production company to manage the franchise just when things had finally and consistently stabilized with Secret Hideout.
I’m not hopeful for an SNW continuation in a Year One show, or Tawny’s project either.
So a half season + a one-hour series finale?
Having only 5 seasons seems the new normal since they haven’t been able to actually produce one season per calendar year and actors’ contracts run 7 years.
But having a short season seems weird, like some kind of negotiated compromise.
This is just going to feed the ‘Kurtzman is done when his contract expires …’ speculation.
Both Trump and Musk have degrees from the supposedly reputable Wharton School of Business at the University of Pennsylvania.
If these two are evidence of their quality of graduates, it really raises questions about whether it was another US institution where ‘legacy’ and money buy admissions and it’s impossible not to graduate.
Most structural starship components would require large industrial replicators.
These seem to always be centrally located and powered.
What someone can do with a small home model would be quite different.
I thought she’d directed episodes of Voyager too.
Memory Alpha credits her with Voyager episodes ‘Riddles’ and ‘Workforce Part II’.
There are exceptions. Someone who was up until recently a teacher may fall into the category of being in a position of trust or authority towards the minor. Without knowing the legal precedents, it’s hard to know how much of an edge case this is.
From the JusticeThe following factors may be taken into account when determining whether a relationship is exploitative of the young person:
From the* Justice Canada webpage on Age of Consent*
Sexual exploitation A 16 or 17 year old cannot consent to sexual activity if:
- their sexual partner is in position of trust or authority towards them, for example their teacher or coach
- the young person is dependent on their sexual partner, for example for care or support the relationship between the young person and their sexual partner is exploitative
The following factors may be taken into account when determining whether a relationship is exploitative of the young person:
- the young person's age
- the age difference between the young person and their partner
- how the relationship developed (for example, quickly, secretly, or over the internet)
- whether the partner may have controlled or influenced the young person
Martin Quinn (Montgomery Scott) was reportedly born in Paisley, Scotland.
Dropping in to note that I’m feeling very smuggly self-satisfied that I decided not to completely abandon my alias when we migrated from the other place.
I guess that I must now become an unrepentant SNW Scotty stan. I look forward to seeing the character grow.
It’s got to be tough to be the VP at Paramount responsible for brand management of one of its two largest streaming franchises, and be told to manage the fallout of a business decision that flies directly in the face of both the Star Trek brand strategy and firm’s streaming strategy.
Half of Paramount+ demand is derived from the Trek and Yellowstone franchises. Their streaming strategy, as pitched to investors, is ‘franchises, faces and fandoms.’
Yet, they cancel and write-off one of only two successful digital animated originals from one of the key franchises, helmed by a legacy captain who remains one of the most beloved in a key demographic?
There just doesn’t seem to be a limit to the amount of hype I’m willing to soak up in anticipation of this crossover.
Nothing close to too much as yet.
Well, I have to give the OP credit for outrageous audacity.
Coming to the main community on the dedicated Star Trek instance to argue that users should subscribe elsewhere is inherently a criticism. It says a lot about the tolerance of the mods and admins here that it’s been left to stand.
I myself appreciate a well moderated community because I believe it enables more discussion not less.
Got it.
I generally think of the vertical market niche as under 25, not a large slice of the fediverse.
I don’t see though how vertical pagination is much different than social media on phones, which we’re all fairly accustomed to.