"What are you looking at, smoothskin?"

I've been convinced that scripts for several big budget films over the last few years have already been written by LLMs. Scripts for things like The Marvels and the last 2 Mission Impossible films (just the first couple that immediately come to mind) are stream-of-consciousness slop with inconsistent logic, jargon that makes no god damn sense, side characters and tangents that come out of nowhere and do nothing, and really forced 'member berries, because as Jay from RLM puts it; "nostalgia is the new cocaine!"

TEDtoks

I'm not a physicist by any means, but I would hypothesize that the slowest way would be to somehow get the object into a slowly decaying, nearly-geostationary orbit around Earth, closer than the Lagrange point between Earth and the Moon. Eventually its orbit will decay enough that it will just fall into our atmosphere somewhat "straight down", making it a matter of calculating the object's terminal velocity.

I'll probably be wrong about many things here, but it'll be interesting to learn when someone corrects me.

The Sun's radius is ~696,000,000 meters, so the surface area of a perfectly circular cutout would be 1.5218e18 square meters. An article I found says that cardboard used for packing is about 0.35-0.4 kg per square meter, so taking an average of 0.375kg/m^2 gives a total of 5.7069e17kg. This is about the same mass as 40% of all water on Earth.

If it's 1:1 ratio? The sun

Orange chicken with a side of chocolate milk. I stand by this, even though none of my friends are willing to give it a shot.

At my first job I worked at a local grocery store as a cashier. Normally the store owner would have a playlist of modern pop that would loop at least once per 8hr shift, and he'd change up the playlist every few months. This sucked a lot, but at the time I didn't know how much worse it would get.

On the closing shift on Halloween night, he started playing his Christmas CD. It was 80 minutes long. On repeat. Nonstop. Until halfway into January. To this day I refuse to listen to any Christmas music at all because fuck that.

Pure spite towards my depression

Immortality

Not one book, but almost all of Asimov's Foundation series. The first one is one of my favorite sci-fi books of all time because I love seeing how each group has to use game theory to solve their own unique issue in order to survive and flourish as a society built on science and reason. While I admit that it's not always written well, I love the mindset that Asimov wanted to emphasize: violence should be the last resort for solving conflict between nations. When the factions outside of Foundation threaten them with war, they respond with soft power like economic pressure, religious sway, and focusing on making better advancements to science and engineering to defend themselves by being too valuable to destroy.

The fatal problem with the series arises in Book 2 though. Book 2 (Foundation & Empire) introduces the interesting concept of "what happens when a massive wrench is thrown into the meticulously calculated 1000-year plan?" Unfortunately, you can tell that at this point is when the concepts of the story become too smart for Asimov to handle, and he instead begins his trend of doubling and tripling down on deus ex machina characters with mind control powers for the rest of the series. All of the interesting methods of sociopolitical problem solving are thrown out the window to become sub-par adventure stories.

Books 4 and 5 (Foundation's Edge and Foundation & Earth) were written particularly poorly, and was probably the point where I should have cut my losses. The books follow not-Han-Solo adventure man, contain a sexist female sidekick that only serves to be a hot piece of ass for Asimov's self-insert character to have sex with, and then has an extremely uncomfortable "happy ending" where a traumatized child is left to be groomed by a robotic parental figure so that the robot can one day mind-wipe the child and insert it's own consciousness into their body. What's more is that they completely ditch the core premise of the 1000-year plan, and the ending undercuts any direction that the story could have gone from there.

The prequel books 6 and 7 (Prelude to Foundation and Forward the Foundation) aren't nearly as bad as 4 or 5, but they completely undermine the importance and intelligence of the character Hari Seldon from the first book. Instead of him being a great man and brilliant mathematician on his own, he's essentially led around by his nose by undercover robots that are the secret architects of everything just because Asimov wanted to tie-in elements from his books about robots.

I wholeheartedly agree. There are so many communities that seem to be created just for one specific post and then remain empty (most commonly for games or shows from what I've seen). Instead of building up a more general-purpose community of interactions, the result is a lot of fragmented ghost towns that are far less than the sum of their parts.