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this post was submitted on 28 Mar 2024
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Yeah, one of the show's strength's is that it's trying a variety of things at once, but it's also it's weakness. That and the author's compulsion to cram worldbuilding into every moment leading to (what I am charitably assuming is) accidental race essentialism.
Whenever the story is in the slow paced melancholic slice-of-life "Let's find a spell to make fresh bread" mode it's amazing. Whenever the show is in Deathnote style "I'm thinking 4 parallel universes ahead of you" shonen battle mode, I'm not gonna lie I find that pretty entertaining, even if I prefer the other mode. But the world of the shonen battle mode show is hella Grimdark in the way something like Beserk is, and the SoL stuff is all whimsical Studio Ghibli stuff, and the author's not doing a good enough job of bridging those two worlds and showing that the narrative can support both these things (even though it's pretty obvious that the author is trying to make a larger point about the breadth of human experiences by having suffering and whimsy coexist in the same world). Sometimes it works (mostly with all of the Flamme flashback stuff), and I think trying to tell a story like that is a really interesting challenge for a writer, but most of the time in the show the total tonal whiplash just takes you right out of it, making the entire thing disjointed and confusing.
"You need to take things slow and live in the moment because life is fleeting and beautiful." Ok yeah, I can get behind that sentiment. "Oh but also the peasant levies are made out of unarmed women and children, damn life sure sucks huh" and I was like, excuse me, what? Am I even watching the same show?
(And yeah I'm leaving out the whole demon thing cos that's a whole other can of worms.)
Honestly tho I think the last part of the show really worked only because "Oh shit I need to defeat a clone of myself" is just such great narrative shorthand for the need for self-reflection.... which is kinda undercut by the prior arc being Harry Potter Death Game, where the protagonists only survive by being such total badasses.
Really a mixed bag of a show, idk Dungeon Meshi is doing it more for me rn.
Given the rest of the what we see of character who claimed that's arc I can't help but wonder if he wasn't just bullshitting or doing something like misrepresenting a desperate village continuing to fight after losing most of its adult male population as some galaxy brain human shields nonsense to turn the blame away from himself and onto others.
It really felt like it was trying to channel Hunter x Hunter and BNHA there. It also felt like it was trying to backtrack a bit on the cutthroat brutality stuff, cause even in the first trial it backed off and was like "wait no actually most of them were bluffing and are actually uncomfortable with the idea of just casually murdering each other for status, but they want to intimidate the others into backing down so they play psycho" for most of them except Ubel.
For what it was it wasn't terrible, but it really did ruin the feel the first bit had. Like Frieren being this horrifyingly powerful bag of repressed trauma whose whole life has been some weird deep cover sleeper agent shit is entertaining, and I honestly think the show could have ridden a lot more on the having her give up on subtlety and just casually murk some horribly threat before continuing on with something silly and trivial bit a lot more, like its slowly revealing that it's just One Punch Man, but Elf. That was a funny enough gag and they could have gotten way more mileage out of it than they did before miring themselves in the snails-pace blow-by-blow shonen fight scenes.
Yeah. It doesn't hit as hard as early Frieren, which actually brought me to tears repeatedly because the whole "endless churn of people you may never see again as time slips inexorably away" shit strikes a nerve hard, but it is overall the better work.