I now have a full time job plus a long commute, which means... more time for reading manga while half-asleep? Huh?
Anyway the last thread of this kind was in July, and since then an anime season has finished, so might as well do it again.
For me:
Manga:
Sayonara Zetsubou Sensei (2005): Parallel to watching the excellent adaptation, I have picked up the manga and, much like Kaiji, finished it in a concerningly short time. Koji Kumeta has a bone to pick with the world... with everything in the world. What arises is a very entertaining ruthless critique. I'm fairly sure he's either still a leftist, or used to be one and got disappointed. However, he is also nationalistic. A political mess, mostly agreeable, sometimes dropping horrible takes - but a fantastic manga which never loses its bite no matter how many chapters you are into it. It's also less horny than the Shaft adaptation. A+
√Paradise (1991): Being curious about Kumeta's early work, I read this short manga of his, which is basically the Yakuza games' cabaret club side-plot in manga form. Not too interesting, but a decent enough read. B-
Ijiranaide, Nagatoro-san (2017): Nagatoro is a decent romance manga with a pretty bad beginning. It ended a few months ago, but I have caught up only recently. Not much else to say, really. B
Shiroyama to Mita-san (2021): Nice comedic romance/slice of life manga about two (mostly) uncool people. Fun, but have not finished it yet. B+
Anime:
Aa-Megami Sama (2005): I had read a large chunk of the manga before, and it's just as fun as I remembered it being. The romance stuff isn't too strong, but the hijinks are fun. The source material being from the 80s means that many of the usual tropes didn't exist yet... or were being invented. A-
Fullmetal Alchemist (2003): Almost done with this show, it's been really good overall. Strong characters and storytelling, and the anime original plot... I can clearly see why it's controversial, but I like it. Good show. A
Makeine: Too Many Losing Heroines! (2024): The only seasonal I didn't drop. Story-wise very conventional, but the character writing was good. Anna Yanami in particular, being one of the strongest female leads in recent anime history. It had a few tone-unfitting scenes that felt tacked on for the horny audience, but overall decent show. B
Western Animation
The Owl House (2020): Very fun show, with some blatant inspiration from many recognizable source materials, western and Japanese. King is a king. A
Anime:
Patlabor on TV and Patlabor: the New Files: Putting these together since they're more or less part of the same show. This is probably one of my favorite anime of all time. There's a primary plot about a private security company, but it really shines in the one-off episodes. There's all sorts of fun shit - Totoro, spy capers, Wizardry/dungeon crawlers. A+
The Princess and the Pilot: I heard this described as "chick flick for plane otaku" and that's accurate. Very fun! A
Gundam: Reconguista in G movies: I'm normally not huge on compilation movies, but this is a 5 movie adaptation of a 25 episode show, so it's roughly equivalent. There's some new stuff in here, but it's still kinda hard to recommend one over the other. Must watch for Tomino brained sickos, but maybe not for newer Gundam fans. B
Dominion (tank police): "We've got Patlabor at home" before Patlabor existed. Eehhhhh. C-
Patlabor is one of my favorites too. I'm looking forward to the reboot coming out soon-ish.
It's funny how the MC of Dominion Tank Police is basically the same as Noa Izumi, and they came out at the same time more or less.
I watched that 2016(?) reboot short, and it was alright. I'm so attached to the original cast that I would miss them if they go with new characters like the short lol.
What if Noa Izumi was more fascist lmao.
Dominion Tank Police felt like a satire to me tbh, but I suppose yeah.
Also if they have a new cast for the new Patlabor, at least have the old one show up from time to time.
It can be both, kinda like Warhammer 40k stuff lol
Even better if it's just the old cast showing up in the backgrounds, like an older Noa, Asuma, and a child at a park or Hiromi driving a small truck with chicken supplies