Hacker shit. Some lone genius passing through systems intended to be secure for militaries and governments. It's not about details being stupid, that's to be expected. It's about the very fact of power imbalance.

Random characters challenging militaries and governments and just "quickly finding" some qualified assistance in doing that. And winning. You don't. You are an amateur and they are professionals. And if you want to do that, you are likely already under personalized surveillance.

That last thing is a trope from a free society where some people on the top are bad. And fighting them you can find help and learn, because in some sense you are protected, and guaranteed privacy and safety. There are no such free societies on our planet right now. The closest you can get is probably to join Hezbollah or some mafia, that is, well-established powerful organizations.

On the contrary, Luke Skywalker taking a lucky shot at a vulnerability that a team of engineers and military men, all of which were high-level Imperial defectors, with support from many planets of what is the Star Wars alternative of Western Europe and North America, had found by analyzing space station's stolen blueprints, using computers and what not, is realistic. Similarly to the Empire (at that moment with kinda democratic Senate and all) being fine with anyone on the way being murdered trying to contain such high-value corpus of information.

Again, I love Star Wars so much. A lot of the materials written in AotC and RotS time describe very well, in my modest opinion, how the real world oppression really works and how you can't really escape evil or defeat it. The best you can do is survive till that evil dies on its own, but the realistic best is planting the seeds for that time.

In general everything showing fighting your enemy as something easy, impressing upon audience that if it didn't work out in a month, then you just give up and do something more pleasant, deceiving yourself.

At the same time the sheer extent to which personal brilliance and hard work and persistence can change the world is often downplayed in movies. Drastic changes made by characters are attributed to magic or being in some unlikely situation. But the whole reason for previously described power imbalance is that professionals perpetuate their knowledge and understanding every day, and if one's persistent, one can beat them.

Yes, I like fiction about justice and fighting evil.

I think a good common one is explosions that throw people at least 10 feet without killing them. If the shockwave is strong enough to do that, isn’t it strong enough to tenderize and completely disable all of your internal organs as well?

I don't have a particular scene, but a here's a funny conversation I had with an acquaintance:

Huh, this thing takes just 12 volts. Could run it in a car.

Wait, a car's electricals are just 12 volts?

Yeah. The battery and most wiring around a car is 12 volts.

Wait.. then what about those scenes in movies where they torture people with car batteries?

Yeah, those are fake.

looking into the distance as the realization dawns on him Those movie directors deserve jail time.

In action films, serious injuries heal with just a few hours’ sleep, no recovery needed.

Recently, I've been mindful of how long fights are in movies.

Sword fight? Fanning at each other, crossing and smacking swords. Maybe even walking around each other. I don't think that's how a real sword fight would look.

Fights where it's mostly talking. Talking and talking. Nobody would fight like that.

Fist fights without a smack and dead. It's fancy movement - only because of the shaky camera and cuts of course. Give me back Jackie Chan or smack them once and they fall over.

I also dislike noticing the wire-guided movements. Fast acceleration and you can see them balancing in the air lifted by wires. Wires removed after-the-fact, but it's such unnatural movement.

And of course, the classic gunfight where nobody hits anything.

Or any monster chase or fight. If a giant monster chases you it's faster and instant-kills you. But not in movies.

It's certainly prevalent.

The Iron fist show had me livid when the MC gets "voted" out by the board of the company the MC OWNS A MAJORITY OF!!

Two people are fighting and one gets control of the other. He then throws the person across the room instead of killing him.

Basically any time someone playing a chef or cook on TV picks up a knife I fly into a rage.

We just watched "The Trap" last night. There was a major pop concert that ended in time for family dinner time during daylight. In the concert, they were depicted having time to make multiple trips to the merch tables and concessions, and in one of those trips, they talked like it was an intermission to change the stage set between songs.

Keanu Reeves with a sword, standing in the middle of a pile of bodies. Bad guy enters the room carrying a gun. Bad guy sees him and rather than shooting him from a safe distance, chooses to run towards him, still holding the gun out in front of him, shouting at him rather than shooting at him.

I hate to say it because so much of this show was actually really excellent and accurate but in the Chernobyl miniseries they totally did the "radiation is contagious" thing and it is just not true.

Things and people that are irradiated/hit by radiation in a situation like a reactor failure or contact with radioactive waste do not become radioactive. They can have radioactive particles on their clothing/skin or inside their body if they have ingested/inhaled radioactive material, but they are not emitting radiation themselves. Furthermore, a thin sheet of paper or cloth will stop the kind of radioactivity that would be emitted by such material, if it is on the outside of a person's body.

Anyways the point is that the woman whose husband was dying of radiation poisoning and then she went in and spent time with him did not lose her baby because she spent time with him. That's just not how it works.

Lots of environmental contamination-related stuff in movies is inaccurate but that one is the most recent I can think of.

When a character wakes up in the hospital.
They've been out for three days. They're obviously in real bad shape, every time they move they grunt.

Then they just rip out the IV and pulse monitor. But not any of the ekg wires. And then just leave.

Good luck getting down the hallway in that shape.

Quiet conversations on airplanes and dance floors as if there's no background noise.

There's this scene at the start of War of the Worlds where the hero races his classic muscle car up this tiny neighborhood street at full tilt, exhaust notes at full blast, and I think he even screeches the tires by slamming the brakes pulling into the driveway. Then he walks up to his neighbor and they're all chill with him. In any other world, the neighbors would have him in handcuffs.

About 9/10 court scenes a lawyer walks around the well and doesn't get beaten with a baton, really annoys me.

or when someone runs through airport security in seconds to catch a flight. In real life, security lines, tickets, and checkpoints would definitely slow that down

Two people draw guns in each other's faces point blank but nobody fires. Instead they have a tense conversation.

Talkin' to you, Malcolm Reynolds and Saffron (or Yolanda or Bridget or whatever).

Boffins coming up with a magical new solution to a problem that they somehow know will 100% work despite having done zero experimentation or testing.

Any kind of severe allergic reaction is going to ruin your week. If you're in anaphylactic shock, you don't just pop some antihistamines or an epi-pen and carry on with your day. And you certainly should not be moving around.

This happens in many shows. At least My Girl was more accurate.

The horror movie character who searches a scary room by walking in and immediately looking intently up at the ceiling, while slowly turning around until he ends up backing into the dangerous thing he somehow didn't notice.

CPR. Doing 2-3 chest compressions, seconds apart, and then some mouth to mouth, followed by 2-3 more chest compressions. Or the needle into the heart thing. Or the shock a flatline thing. All of it. It's just all wrong.

On Andromeda? I believe it was, a villain used the stereotypical twist the head to break the neck and they fall over dead bit. The character proceeded to be not dead and did the stereotypical express their love while dying in the protagonist's arms bit, talking and moving their neck as if it wasn't broken. And then died.

Just be at work and look around yourself. Many of your colleagues got their jobs without knowing what's actually going on. Doesn't matter what kind of job they have.

Enhance!

Stuff falling towards earth from a spaceship/satelite.

You're already in orbit, things might wander away but it won't be attracted in any specific direction.

The beeping sound computer monitors make as they render text. Wtf?