No, the better solution is to add more black bars to the side so that it fits on to a wide screen.

Pike got his "that's rough buddy" moment.

I am very glad we got to revisit this storyline. There was a lot left to explain in that dimensional prison, and using it as a finale to neatly wrap a lot of different plot threads was great. I was really interested in that guardian figure from the earlier episode, knowing now that it ended up being Batel in a kind of asymptotic time loop is pretty crazy, but it is a very poetic ending. She can't really live a life with Pike, and this is an ending that gives her meaning.

When Batel's hands started glowing for a moment I genuinely thought she was going to regenerate à la time lord. And in the end I guess she kind of did! I half expected her to start babbling about some cosmic koala when she had stars in her eyes, I'm glad she didn't. The ending took a serious tone, and that worked very well.

This episode uses what is effectively a dream sequence and those you have to be careful with. It works well here because the concept of time, cause, and effect have already been established as in play here so even if it never turned out as the actual in-universe outcome, it still feels like it has meaning. I note that the show giving us Pike's alternate future had he not (will he have had not? tenses are hard with time travel) got in the accident for me cements the fact that he really is going to end up as his future vision told him. There's no avoiding it now.

I am not sure I really followed a lot of the treknobabble in this one. I don't get how the entity managed to reconstruct itself, nor why there was a whole debate about phasers being complementary instead of additive. But as a plot device to get things moving it was serviceable. Also, just a note, if you're firing a stream of ANTI protons into the atmosphere, one would expect the antimatter to annihilate on impact with the upper atmosphere. I did find it hilarious that there's two massive red lasers with the same power as a star beaming in through the balcony and none of the natives there were bothered by it enough to get out of their seats!

The planet design was really cool, the big floating churchey architecture was giving me Halo vibes. It's interesting that the planet has no warp travel but still makes contact with alien races. I wonder if then the Feds would bother to help them out in the aftermath, or if they just left them to it. They kind of should take responsibility, given it was them that unleashed the evil in the first place. Even if it's just to loan them that eye regeneration thing for a few hours.

Overall, this was a nice finale, and given it didn't end on a pointless cliffhanger, and wrapped up most of the threads well, one of the better ones as TV dramas go.

I really enjoyed this one.

We finally get some real movement on the Ortegas trauma that was set up earlier in the season and the solution, forced exposure therapy, is pretty wild. Ortegas managed to overcome it fairly well, which does back up the "she passed her psych eval" stated in an earlier episode. Not only does she overcome a personal problem, but she actually manages some form of diplomacy across multiple alien species. Way to go.

My biggrumble with this episode is the ending. I saw it coming a mile away, there's no practical way to end it other than finding some excuse to write out the good!gorn. I think the episode did not even need the aliens running things behind the scenes, it would have been perfectly fine to just have the spatial anomaly and a crash landing as the setup.

I hope that Ortegas remembers that La'an killed the Gorn, that will make for some nice drama later. I also hope that Ortegas remembers enough that she could try to advocate for the Gorn. While this episode wasn't quite "Darmok", Ortegas shows a lot of aptitude for cross-species communication, and that needs to be used alongside her piloting.

The Uhura-Pike drama was a bit less enjoyable. At the end of the episode pike basically says he would have stayed anyway, which undermines the whole B-Plot of the episode. If anything it should have been a Pike-Una debate. And with a more pressing need than "These people need a vaccine absolutely right now but also they can wait a couple days if need be".

I really did not enjoy this one.

The "documentary" that ends up being made feels like the worst kind of propaganda that tries to feign a sense of "there's two sides to every argument", all while clearly pushing in favour of the agenda the documentary initially tried to critique anyway. It felt at moments like a military recruitment advertisement. I would not choose to watch such a documentary in real life, and watching it within a star trek episode just feels like I've wasted my time.

The writing makes use of the idea of military censorship and a film that jump cuts around to not so cleverly hide the fact that the writers are missing a plot. We are presented with a people in conflict, who abuse a creature to create a weapon. We have no other information about the conflict, beyond "there's mass casualties". No explanation of why starfleet is involved beyond "starfleet is here to help". No explanation why they chose to make that kind of weapon in particular. On the matter of the alien war we are left to fill the gaps ourselves entirely, and because our in-universe director is acting in the role of an unreliable narrator, we have no idea if any of what ended up in the film they ended up making can even be trusted. That FOIA disclaimer at the start could be just as real as those films that say "based on a true story" when they are anything but.

We did get some good character development, particularly with Ortegas finally being up front and open about what she's been through recently. But not really enough for it to feel like it matters. Ditto Uhura and Spock. Furthermore, despite self-harm and suicide being a central theme of the episode, other than an incredibly brief argument with the alien scientists about whether thier victim should be allowed to commit suicide, it's not really debated. The crew just accept that they need to do an assisted suicide, and that's that. Fair enough, if that's how human morals work centuries from now, but then it leads again to an episode without a useful plot. For contrast, multiple past star trek series have had their take on this topic and done a much better job.

After watching this I am left unsure what wider contribution this episode is meant to make to the series. For all the silliness of the comedy episodes, at least they were entertaining to watch and usually had at least one major plot development by the end. This one could have been cut from the season roster and nothing would have been lost.

Random assorted notes:

• The decoded alien vocalisations kind of sounded like whalesong to me. Perfect opportunity for some cetecean ops, right? nope.
• Beto is shown to be incredibly manipulative, especially with recording people who don't want to be recorded. Why on earth is he not in the brig?
• Many times in the episode the direction attempts to foreshadow someone dying. I thought for a moment the writers were going to be brave and kill off someone in the crew. Particularly when chapel and spock are stretchered in with uhura standing there in shock. Nope, it's the random alien of the week instead.
• The alien visuals, both the CG and prosthetics were very nice. I like the idea of a species that, like some animals on earth, begins life underwater and then metamorphoses into something that lives in a completely different environment out of water. That was possibly the only highlight of the episode for me.

Looking forward to the next one, it can't possibly be worse than this.

Given it's been established the only person who can really help control Batel is Spock, and he is incommunicado for the whole episode, both Batel and Gamble should have been in confinement as soon as possible.

Much of the episode is devoted to zombies, and zombies are boring. Moving on. I thought the directing and/or editing was pretty lifeless (heh) in this one, too - not a lot of tension throughout.

This could have been a bottle episode and might have been better for it. The plant was a macguffin that could have been anything. A molecule on some random asteroid could have served the same purpose and allowed the plot to continue mostly unchanged.

Maybe without the zombies that would have given more time for focusing on discussion around what the characters are feeling - More of ortega's struggle; something better than spock's mind meld which seems to serve as nothing more than foreshadowing for something that's going to be said out loud a few minutes later anyway.

If the writers were going to use zombies in a story, then they should actually use them as part of the plot.

I take issue with this article using the language "lagging behind in the use of generative AI". That language seems to imply there is something wrong in this behaviour.

For a brief brief moment I was elated when I parsed the title as 'Palantir says it has given up on AI'. Then I read the article and was left dejected.

Users need to know what this dot means, and some like children or the elderly will likely not understand the ramifications

In fairness, cheese from france is probably safer raw because they don't have as many superfarms that are as prone to spreading diseases like bird flu

I thought elvish meant someone who likes rock and roll music

It does matter. It's safer for everyone if cyclists travel side by side in one lane because then the car driver has to spend less time in the oncoming lane to complete the overtake. A long string of bikes takes more time to safely pass.