Textless version cuz it’s cute

Rest in peace. One of the biggest influences of my childhood. Sad to hear he’s gone, but what a life he’d had. <3

She should really be using a dry kitchen towel to grip that wok, if she were serious about achieving proper wok hei.

Do we have any concrete evidence that he’s even telling the truth? Something other than a tweet on a platform he owns? He seems to lie often.

Truly, a requiem for a dreamer.

Mine is drawing. I’ve had other hobbies and have other things that I enjoy doing, but drawing is the most engaging thing for me. Your standards always outpace your ability, so there’s never a moment when you feel like you’ve accomplished everything you could’ve accomplished. There’s always something new to draw or learn about.

This is so annoying. It goes into a full screen ad as soon as you turn it on, so I babysit the remote and navigate to an app as soon as it turns on, in order to avoid ads. It also does this if you let the TV idle, which I also hate. I might just throw it away and go back to hooking up a laptop to the TV instead. I paid $70-ish bucks for this stupid thing.

Edit: I just remembered that you can hack these fire sticks, so i’ll probably try that first.

Earth is the only planet that we’re adapted to live on. Nowhere else will be as forgiving of our mistakes.

I would like to be the god of temporary, drawn-on tattoos, the ones scribbled on hands and arms during lulls in class or in moments of boredom, whose enjoyment is measured in moments and are forgotten as soon as they’re washed away.

About the Artist

Roberto Ferri is an Italian artist and painter from Taranto, Italy, who is deeply inspired by Baroque painters (Caravaggio in particular) and other old masters of Romanticism, the Academy, and Symbolism.

Ferri graduated from the Liceo Artistico Lisippo Taranto in 1996, a local art school in his hometown. He began to study painting on his own and moved to Rome in 1999, to increase research on ancient painting, beginning at the end of the 16th century, in particular. In 2006, he graduated with honors from the Academy of Fine Arts in Rome.

His work is represented in important private collections in Rome, Milan, London, Paris, New York, Madrid, Barcelona, Miami, San Antonio (Texas), Qatar, Dublin, Boston, Malta, and the Castle of Menerbes in Provence. His work was featured in the controversial Italian pavilion of the Venice Biennale 2011, and has exhibited at Palazzo Cini, Venice in the Kitsch Biennale 2010.

In 2021, on the occasion of the 700th anniversary of Dante Alighieri's death, he created Il Bacio di Dante e Beatrice (The Kiss of Dante and Beatrice in Italian), a work that seals the sublimation of a kiss that never happened, with the painter's choice of Italian model and actor Edoardo Sferrella as a reference for the figure of the Supreme Poet; the painting was commissioned by Magnum for the MagnumXDante campaign in partnership with the Scuderie del Quirinale, and exhibited at Palazzo Firenze in Rome.

I appreciated the fact that the artist chose to depict the tension and implication of imminent violence, rather than actual act of present or past violence. It's pretty plain to see that the wolves aren't gently embracing the lamb, but technically, violence has not yet occurred.

When does something become violent? Is it only when blood has been shed? Is it when it's too late to undo the act? Or are the precursory actions that set the stage for figurative or literal violence just as complicit? As you pointed out, there is no blood, and we can tell by the lamb's expression and white coat that the wolves have not yet sunk their teeth into flesh. How close to killing are we willing to allow the wolves to get before we convince ourselves to intervene?

Fun! :)