If these themes are ancillary and not the one dimensional focus, no problem. In Ko’Zeine, the entire episode arc hinges on Darem being gay. It is the plot. To make it worse, there was never any ambiguity. The writers telegraphed the “correct” outcome from the beginning and never let the viewer stew in any kind of reflection or moral dilemma. We knew exactly what the outcome would be and the only reason we watched was to see how we would reach the only “right” conclusion. That’s not good storytelling. It’s a poor choice of plot. So would be a “murder is bad” plot. The issue isn’t a gay character existing. We have plenty of examples of gay characters existing in media in which “the right” takes no issue. See Six Feet Under, Will & Grace, Willow in Buffy, Remy in House, and a thousand other examples.

The issue is the poor writing. I levy similar criticisms of any writing like this. If these episodes revolved around “I’m short,” or “I’m ugly,” or “I’m fat,” they would also be uninteresting. There needs to be more complexity and moral ambiguity to provoke thought. I don’t watch Star Trek for the flashy lights. I watch it for the interesting dilemmas. Academy is the very lowest brow Netflix slop I could imagine.