52
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
this post was submitted on 24 Aug 2024
52 points (100.0% liked)
Movies & TV
22881 readers
148 users here now
Rules for Movies & TV Discussion
-
Any discussion of Disney properties should contain a (cw: imperialism) tag. If your post isn't tagged appropriately it will be removed.
-
Anti-Bong Joon-ho trolling will result in an immediate ban from c/movies and submitted to the site administrators for review.
-
On Star Trek Sunday only posts discussing how we might achieve space communism are permitted. Non-Star Trek related content will be removed and you will be temporarily banned until the following Sunday.
Here's a list of tons of leftist movies.
founded 4 years ago
MODERATORS
Somewhere in another universe there's a version of DS9 where the focus was on rebuilding Bajor and all the complex post-revolution politics that inevitably happens, and not on technobabble and CGI space battles. We got glimpses of what it could have been like with episodes like "Duet", "Shakaar", "Progress" and "Past Prologue". What could have been.
Oh fully agreed on that. My personal litmus test is what they think of "Duet". If they don't remember it, that's a bad sign, because it's easily the best episode of the series.
I do think that DS9 was consistently better written than TNG on average. But on rewatches I just find myself disappointed with how many missed opportunities there were. In canon, Bajor is an old world, rich in a variety of cultures. There's so much that could have been done with that setting in a post-occupation political-infighting context. The first few seasons started to go down this road. But in the end we got almost nothing. Honestly during rewatches I tend to skip most of the latter half of the series. I just don't find the war to be interesting.
In contrast TNG was never really trying to be anything other than modernized-for-the-1980s TOS. Just high-concept episodic sci-fi. It succeeded brilliantly at that once Roddenberry's counterproductive micromanagement was over by the end of season 2.