When it comes to the overlapping shows, it might be better to frame things around events rather than series. Like, Dominion War, Romulan Evacuation, etc. But then, there are still some gaps in there, or unrelated adventures that aren't really defined by those major events.
The concept of a Starfleet magazine is super interesting - I wonder what it takes for information to get cleared for publication.
That's one way to spin it, but another is that they're elevating a particular Orion house back into prominence immediately after they were stripped of their wealth by their government, which should most certainly be considered interfering with internal affairs, no?
Nah, the PD also prevents Starfleet from, say, rigging a Romulan election.
That's because the so-called "fixed election date" leglisation only circumvents the 5-year limit laid out in the consitution. The federal and provincial Crown representatives retain the ability to call a general election - I don't think that can be changed without an amendment to the constitution, which ain't gonna happen.
It's always been smoke and mirrors.
...I don't get it.
Let's be honest: at this point, they could make the greatest Star Trek film of all time, and it would only be 1/47 as entertaining as watching the executives at Paramount Pictures stepping on infinite rakes in infinite combinations as they try to make the damn thing.
I think this is an extremely lousy headline, but the content is good.
Firstly, the headline slightly misquotes what Matalas actually said (emphasis added):
“We wrote nine episodes at one point and the network was like, ‘No, we don’t really understand this, it’s a bit too sci-fi, it’s a bit too in-Star Trek.’”
I think a story being a little too "inside baseball" and reliant on stuff from decades ago is a perfectly valid note, especially when we're talking about ideas like this:
The idea was that Guinan’s bar was presented as a normal bar in Los Angeles, but if you knew the right thing to do, you could go into the back through the telephone phone booth and that was Rick’s Café and it was a stopping point for all these different species that were actually there on Earth with a ‘Do not interfere’ thing happening.
The stuff about COVID messing with the writing and shooting schedule is understandable, and created problems that can be seen in many TV shows filmed around that time. All the same, it makes me wish they had decompressed the schedule and not rushed through things as much as they did.
The comments about there being a lot of different ideas in season two are interesting, since I think she overall series' biggest flaw is that it crammed a lot of ideas, many of which I like quite a bit, into only 30 episodes, with few (none?) of them being fully explored.
And regarding the Jurati Borg...I don't know, I never found that confusing in the slightest. I think their intent came through just fine.
I assume they're returning to their truck to retrieve some sort of accelerant.
User flair is unfortunately not a thing on Lemmy, but this is as good a time as any to confirm that we have independently verified that OP is Aaron J. Waltke, writer/producer of Star Trek: Prodigy.
My expectations for this one were high, but I'm really impressed with how well they pulled it off. Tawny Newsome and Jack Quaid did a great job of dialing their performances back just enough, and the SNW cast went just a little bit broader.
Aside from the obvious space angle, it seems more like a "Suicide Squad" vibe to me, which makes a little more sense, I think.
Their marketing tone is not what I expected at all, but I'm still interested in what the heck this thing will be.
I just want a sense of what the actual story is.