Skydance only bought Paramount this past summer after production of SFA season one was well advanced and SNW was largely done seasons four production.
While there is genuine reason for concern regarding future Star Trek, it’s very hard to make the case regarding anything in pre production before 2025.
As if Star Trek wasn’t corporate from the beginning!
Every major difference between the original pilot ‘The Cage’ and the original series / TOS was rooted in corporate priorities.
The bright, primary coloured uniform tunics, bright colourful flashing lights on the bridge and other sets were designed to promote NBC’s ‘Living Color’ television broadcasts.
Kirk was younger, physically more vigorous and less cerebral than Pike, no matter what Roddenberry wanted. Action adventure hero, romancing women, was what the network wanted no matter that Roddenberry wanted Kirk to be a ‘stack of books with legs’ and for Yeoman Rand to be the original third principle character and long term romantic interest.
Hopefully this episode will satisfy the “what happened to the Klingons?!!” questions lingering from Discovery.
…And perhaps kickoff a new narrative with Jay-Den as Heart of Glory did for Worf in TNG season one.
That’s a point.
Although in the case of the introduction of the Cardassians, there were significant contradictions vs the geopolitical situation of the Federation as presented repeatedly in the earlier seasons of TNG.
In relation to fan outrage though, even modest ‘filling in gaps’ — or ‘dancing between the raindrops’ as the EPs of SNW call it, is frequently met with with complaint that “no one has ever mentioned that before.”
Well, I can see your point.
I also was always supportive of WW III being pushed back by a half century.
But you can’t argue that there haven’t been major retcons.
Oh, it definitely did contradict established continuity — certainly more than Spock having had a foster sister or Khan descendants that we hadn’t heard of previously.
TNG initially presented a stable and peaceful utopian civilization. Picard and his officers spoke repeatedly about this in the early seasons.
There were long term stable borders with the Romulans, established relations with the Klingons but no major armed conflicts in the lifetimes of the senior officers.
‘Yesterday’s Enterprise’ was given as the exemplary lesson on how the alternative, more violent, alternative history would have played out but even that was quite far back, with the Enterprise-C.
The Ferengi were in early TNG a new and mysterious alien group on the borders.
The Borg was the most disruptive threat in generations, one that required new technology and new more military forward leadership approaches.
And then suddenly it turns out there has been a major ongoing border conflict with Cardassia, marginalized refugees from occupied planets living in camps bordering Federation utopia, and Starfleet has had its serving crew in armed conflicts.
How can you sincerely argue that isn’t a ‘major change?’
It’s interesting though.
We get the perception in early TNG that it’s been a long stable period of peace, exploration and expansion that’s suddenly disrupted by the Borg.
Then, we find that there have been significant ongoing regional conflicts with the Cardassians, some in Starfleet service have seen combat and torture, and that there have been marginalized refugees that have been marginalized and largely forgotten the Utopian Federation worlds.
BUT we accepted at the time as an audience.
In fact, unlike many of the elements of TNG that were outraging TOS fans in 1987-1989, there was nary a murmur about this at the conventions or on the BBS about the introduction of the Cardassians and Bajorans or the significant retcons.
As someone who was around for the TOS fan backlash in the early years of TNG, I don’t think that this has anything at all to do with the cumulative weight of lore or lack thereof.
My thought rather is that a show at the height of its popularity can get away with a great deal in terms of retcons and rewriting its own canon/lore.
A new show that does that takes a larger risk and is more likely to attract backlash.
Although Paramount+ now streams all the live action Star Trek shows in Canada, BellMedia’s CTV Sci-fi Channel has continued to provide linear cable programming for many of the Star Trek shows, including Strange New Worlds.
It wasn’t clear whether Starfleet Academy would also be available on CTV in first run. It’s now appearing in the television listings with a double episode premiere starting at 9:00 pm Eastern Time.
Treklit has some great offerings. The Relaunch universe books in particular developed coherent serialized storylines and a group of strong authors. There is also a deep library of standalone books from across all eras of the franchise.
By contrast, serialized Star Trek is struggling onscreen. Of the current era, only Prodigy has excelled in serialized storytelling.
So, why not look to the books? Not just to lift an idea like Control or the end of the Borg, but to actually tell a coherent narrative across a season or season?
On Netflix, Prime and Apple, it’s become established that successful streaming shows are often based on novels and novel series. Those streamers have come to understand that novelists, not scriptwriters, excel in laying out long form storytelling, and resources are often better put in having the screenwriters adapt than create from the whole cloth.
Reading a recent interview with Mick Herron, author of the critically acclaimed and popular Slow Horses on Apple, with a second show based on his other books launching this fall, I was struck by the interviewer’s assertion of this truism.
I thought about several of the non franchise shows I enjoy and how many of them are more or less faithful adaptations of books.
I was also struck by the thought that both Skydance and Paramount are quite capable of producing excellent book adaptations for Netflix and Apple. Murderbot is a very current example.
So, what’s holding back Star Trek from exploiting the Vanguard series or the Starfleet Core of Engineers books?
Why insist on giving showrunners resources to keep retelling franchise stories with legacy characters and tropes?
Why not exploit that IP that Paramount already owns by adapting the best of decades of TrekLit?
Several Star Trek licensed games are on Steam, now at a significantly discounted price for the annual Star Trek Day celebration.
These include the MMP Star Trek Online, but also single player games Star Trek Bridge Crew and Star Trek Resurgence (a choose your own path role play game).
We’d waited until Resurgence came to Steam, because we did want to buy it from Epic, but decided to be even more patient and wait for a sale so we could get it for our teens as well. I’ve been playing in parallel with one of our teens and debating the impacts of our very different choices.
I have had Bridge Crew since 2022, but we got copies for the teens yesterday. One is into it. It requires running an Ubisoft account synched to Steam which can be annoying, but otherwise G2G.
Having reached my exasperation on the total lack of information from Bell Media on a Canadian release, I asked @GoodAaron@mastodon.social if he or the Hagemans could share any information. Here is his reply on Mastodon.
It’s great to have EPs who will engage with us.
I’m still gearing up my recipes for a Star Trek Prodigy Soirée for the premiere!
In case you haven’t seen this, CBS entertainment sponsored a social media influencer to develop watch party ideas for the Prodigy Season 1 finale Supernova Soirée .
I’ve been experimenting and building on some of these ideas for the premiere of season two. One of Canada’s favourite ice cream brands has this interesting suggestion for A triple-berry yogurt sorbet float punch that seems very Star Trek Prodigy themed.
The Directors Guild of Canada (Ontario) ‘Hot List’ compilation of Ontario-based production information has been updated with a new CBS Studios show ‘Ivory Tower’ to begin Accounting & Art Department preproduction in March.
While all TAS episodes had some kind of moral lesson, S1 E10 was an outright criticism of substance use.
M’Ress and Scotty, unwittingly exposed, end up enamoured then incensed with one another. One is never sure how different that is from a Caitian’s usual romantic style.
Chapel comes off badly in this one. As Spock puts it “A few moments of love, paid for with several hours of hatred.” It’s all the more poignant given SNW’s deepening of their backstory.
I have realized that I need a new editing tool that will let me use panels with more than 6 frames.
A private message with a recommendation would be appreciated sincerely.
I thought she’d directed episodes of Voyager too.
Memory Alpha credits her with Voyager episodes ‘Riddles’ and ‘Workforce Part II’.
There are exceptions. Someone who was up until recently a teacher may fall into the category of being in a position of trust or authority towards the minor. Without knowing the legal precedents, it’s hard to know how much of an edge case this is.
From the JusticeThe following factors may be taken into account when determining whether a relationship is exploitative of the young person:
From the* Justice Canada webpage on Age of Consent*
Sexual exploitation A 16 or 17 year old cannot consent to sexual activity if:
- their sexual partner is in position of trust or authority towards them, for example their teacher or coach
- the young person is dependent on their sexual partner, for example for care or support the relationship between the young person and their sexual partner is exploitative
The following factors may be taken into account when determining whether a relationship is exploitative of the young person:
- the young person's age
- the age difference between the young person and their partner
- how the relationship developed (for example, quickly, secretly, or over the internet)
- whether the partner may have controlled or influenced the young person
There just doesn’t seem to be a limit to the amount of hype I’m willing to soak up in anticipation of this crossover.
Nothing close to too much as yet.
Well, I have to give the OP credit for outrageous audacity.
Coming to the main community on the dedicated Star Trek instance to argue that users should subscribe elsewhere is inherently a criticism. It says a lot about the tolerance of the mods and admins here that it’s been left to stand.
I myself appreciate a well moderated community because I believe it enables more discussion not less.
Wondering if there’s a minimum wait before retesting and that would put them beyond the time limit.
Or perhaps she’s previously tested failed the test and this was her best result.