pre-war society

Well, we'll see about that...

10

Tawny did a guest spot on the Greatest Trek podcast recently, and shed a little more light on how this thing came into being.

Apparently, it was Paramount that was pushing to get a Trek sitcom off the ground, and Alex Kurtzman wasn't sure it could work. But he mentioned it to Tawny, and she rode for the idea.

7

Kind of a trashy headline - here's the full quote:

we keep writing it, and we keep turning things in, and they keep saying, 'Please keep writing.' So, as long as they allow us to do that and they don't say, 'Stop. Close your computers and go home,' we'll continue making it.

Yeah, "Ronald B. Moore" was just seen on the holodeck Okudagram in the original episode. It may not have been legible in the pre-remaster version of the show.

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9

I would love to see the alternate universe Star Trek V where he got to make exactly what he had in mind, without any interference or budgetary constraints.

When the book was initially announced, I didn't think much of it, but it seems like Visitor really put a lot of work into this thing.

I watched this last night - I have to admit, when I watched the "Unification" short, one of the first things I thought about was Shatner having lost touch with Nimoy prior to Nimoy's death - he recounts (his side of) that story here.

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I didn't realize Doug Ford was controlling federal taxes.

3

This was another decent episode. I have to say, though, I don't think this season is "hitting" for me quite as much as past seasons.

19

LoglineMariner teams up with a troubled ensign while the Cerritos hosts peace talks between warring civilizations.


Written by: Keyshawn C. Garraway

Directed by: Brandon Williams

Does it get any better than Dadmiral Vance?

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8
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30

LoglineRansom uses too much disinfectant gel while Mariner gets paranoid about curses.


Written by: May Darmon

Directed by: Bob Suarez

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[-] ValueSubtracted@startrek.website 74 points 8 months ago

I think this is an extremely lousy headline, but the content is good.

Firstly, the headline slightly misquotes what Matalas actually said (emphasis added):

“We wrote nine episodes at one point and the network was like, ‘No, we don’t really understand this, it’s a bit too sci-fi, it’s a bit too in-Star Trek.’

I think a story being a little too "inside baseball" and reliant on stuff from decades ago is a perfectly valid note, especially when we're talking about ideas like this:

The idea was that Guinan’s bar was presented as a normal bar in Los Angeles, but if you knew the right thing to do, you could go into the back through the telephone phone booth and that was Rick’s Café and it was a stopping point for all these different species that were actually there on Earth with a ‘Do not interfere’ thing happening.

The stuff about COVID messing with the writing and shooting schedule is understandable, and created problems that can be seen in many TV shows filmed around that time. All the same, it makes me wish they had decompressed the schedule and not rushed through things as much as they did.

The comments about there being a lot of different ideas in season two are interesting, since I think she overall series' biggest flaw is that it crammed a lot of ideas, many of which I like quite a bit, into only 30 episodes, with few (none?) of them being fully explored.

And regarding the Jurati Borg...I don't know, I never found that confusing in the slightest. I think their intent came through just fine.

My expectations for this one were high, but I'm really impressed with how well they pulled it off. Tawny Newsome and Jack Quaid did a great job of dialing their performances back just enough, and the SNW cast went just a little bit broader.

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ValueSubtracted

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